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在历史的进程中农民的命运充满了曲折与不堪,在现代文学史的发展过程中,农民扮演着不同的角色。现代性启蒙阶段,农民被视为国民劣根性的负载者,成了五四文学时期作家笔下批判和启蒙的主要对象;在革命运动中,农民华丽变身为革命的主力,由被改造者蜕变成改造者。在本文中,笔者以《故乡》《春蚕》《咆哮的土地》三个文本来分析20世纪20至30年代农民在不同作家笔下的文学想象,以及这种文学想象下的历史成因。
In the course of history, the fate of peasants is full of twists and turns. In the process of the development of modern literary history, peasants play different roles. During the enlightenment stage of modernization, peasants were regarded as the burden of the bad people of the country and became the main target of criticism and enlightenment by writers during the May 4th literary period. In the revolutionary movement, the peasants transformed into the main force of the revolution glorified by being transformed into Reformer. In this paper, the author analyzes the literary imagination of peasants by different writers from the 1920s to 1930s and the historical reasons under the literary imagination based on the three texts of “Hometown”, “Spring Silkworms” and “The Roaring Land.”