影片《没有航标的河流》的开场是耐人寻味的。片头之后,随着几句浑厚、深沉的旁白,银幕现出江南水乡,两山峡谷之中是缓缓流动的潇水河,一条木排顺流而下,旁白到此为止。接下来是近景:木排上三个沉默不语的木排工。盘老五靠在木排的小棚子边,用铁丝捅烟杆,捅捅,吹一吹,铁丝上沾满烟屎烟油,用两只脚指头一夹,再一拉,铁丝揩干净了,又去捅烟杆。好一副若无其事可又专心致志的样子。青年石牯赤膊斜靠在一根圆木旁,他正无聊地玩一把短刀,一会儿削着木头,一会儿又长吁一口气,仰躺在圆木上,好象内心有难熬的痛苦和烦闷。那站在木排前端的中年人赵良,正笨拙地扳动着排招,身体也象钟摆一样左右摇动,看得出,他很吃力,却在默默地坚持着。在长达三分钟的画面上,除了三个人的表情和动作,没有对白,没有画外音。远处隐约传来河边洗衣妇女的棒槌声和报晓的鸡啼声,更使画面增添了几分静的气氛。“静”占据了影片开始的全部空间和时间。 The opening of the film “No Beacon River” is intriguing. After the title, with a few vigorous, deep narration, the screen shows Jiangnan Water Village, two mountain valleys are slowly flowing Xiaoxi River, a row of wood downstream, narration to this end. Next is the close-range: the rafts on the three silent silent rower. Pan Lao five leaning on the small shed side of the wood, with tobacco wire rod stabbed, poke, blow, wire covered with smoke feces and tobacco, with two fingers, a clip, and then pull the wire 揩 clean , And then poke tobacco rod. A good one if nothing can concentrate on the way. Young Shih-tsu leans back and forth beside a log, he is playing a dreadful knife, while cutting the wood, while a long sigh, lying on the log, as if the heart has a tough pain and boredom . Zhao Liang, a middle-aged man standing in front of a wooden row, was awkwardly pulling a row and swinging his body like a pendulum. He could see that he was struggling, but silently insisted on it. In the three-minute screen, in addition to three people’s expressions and movements, no dialogue, no voice-over. Far from the river laundry women vaguely heard the sound of hammers and chicken chirp, but also make the picture a bit quiet atmosphere. “Static” occupy the beginning of the film all the space and time.