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渐江(1610—1664年),法名弘仁,字无智;俗姓江,名韬,字六奇;又名舫,字鸥盟;江南徽州府歙县桃源坞人。他被龚贤(1619—1689年)称为“天都派”十子之一,是新安画派的奠基人。当代又把他同石谿(1612—1672年)、八大山人(1626—1705年)和石涛(1642—1707年)合称为“清初四大画僧”。 浙江以一介儒生遭国破家亡而遁入空门,不想“逃禅翻以画传灯”,他没有继承曹洞宗古航道舟(1585—1655年)的衣钵,却成为一位饮誉千秋的画学大师。他生于晚
Jiang (1610-1664), the name of Hong Ren, word without wisdom; vulgar surnamed Jiang, Ming Tao, word six odd; also known as Fang, the word gull league; He was called by Gong Xian (1619-1689) as one of the “Heavenly Ties”, and was the founder of the Xin’an School of Painting. Contemporary again with him Stonye (1612-1672), Badashan (1626-1705) and Shitao (1642-1707) collectively known as the “Qing Dynasty four monks.” Zhejiang did not want to “escape from Zen to paint the lantern” when he was ruined by a Confucian student who was ruined by a country. Instead of inheriting the mantle of the ancient channel of Cao Dongzong (1585-1555), Zhejiang became a famous master of painting . He was born late