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近年来,中国戏曲的“河南现象”引起了戏剧界的普遍关注。不但出现了以李树建为领军人物的一批优秀表演艺术家,而且涌现出姚金成、陈涌泉等一批优秀的剧作家。经过豫剧人的团结协作,形成了全国豫剧院团交流合作的大格局,豫剧正以强劲的发展势头成为全国戏曲的领头羊。在20世纪,豫剧的这种辉煌曾经出现过,那时是以陈宪章、王景中、杨兰春和常香玉等创作的《花小兰》《朝阳沟》等
In recent years, the “Henan Phenomenon” of Chinese opera has aroused widespread concern in the theater industry. Not only appeared a group of outstanding performing artists with Li Shu as the leader, but also emerged a group of outstanding playwrights such as Yao Jincheng and Chen Yongquan. After the unity and cooperation of the dramatists, a grand pattern of exchanges and cooperation among the Chinese opera troupes was formed. With strong momentum of development, the opera became the leader of the national opera. In the 20th century, such brilliant achievements of the opera have appeared in the world, such as “Flower Xiaolan” and “Chaoyanggou” created by Chen Xianzhang, Wang Jingzhong, Yang Lanchun and Chang Xiangyu