“文革”后,尤其是近二十年间,作为广东省最大的曲种——粤曲,誉多于毁。什么“万家灯火万家弦”;什么“广东曲艺无淡季”;光珠三角地区就先后获得十个“中国曲艺之乡”的光荣称号。广东省的粤曲作品、演出节目也多次获取过国家级的文华大奖、牡丹奖、群星奖。并且跨长江、过黄河、进北京、走向世界。那么,在粤曲繁荣的背后,有没有潜在的病灶和隐患呢?我想,大家都不 “Cultural Revolution ”, especially in the last two decades, as Guangdong’s largest song - Cantonese opera, reputation more than ruined. What “” Wanqu lights 10,000 strings “; what ” Guangdong Qu Arts no off-season “; Light Pearl River Delta has won ten ” Chinese folk art village "glorious title. Cantonese opera works in Guangdong Province, performance programs have also won several national Mandarin Awards, Peony Awards, Stars Award. And across the Yangtze River, across the Yellow River, into Beijing, to the world. So, behind the prosperity of Cantonese opera, there is no potential lesions and hidden problems? I think we do not