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1930年代的中国左翼电影是中国电影史论述中难以回避的电影运动和电影现象。本文从左翼电影的未来中国想象角度切入,就民族国家自立、阶级平等、男女平权三个议题,考察了左翼电影想象未来中国的方式及其特点。本文认为,左翼电影对旧制度的揭露和批判无疑是深刻、彻底和不遗余力的。它们是建立在破坏基础上的未来想象,总体上是从铲平现实的不平等出发,但缺少实质性内容建构。即便如此,其批判性价值也值得肯定。
The Chinese left-wing films of the 1930s are hard-to-avoid cinematic and cinematic phenomena in the discussion of the history of Chinese cinema. Based on the imagination of the future of the left-wing film in China, this essay examines the ways and characteristics of the left-wing film in imagining the future of China based on the three topics of national independence, class equality and gender equality. This article argues that the left-wing film’s revelation and criticism of the old system is undoubtedly a profound, thorough and sparing no effort. They are based on the destruction of the future based on the imagination, generally proceed from smoothing the real inequality, but the lack of substantive content construction. Even so, its critical value is also worthy of recognition.