论文部分内容阅读
《诗经·氓》、《九歌·湘夫人3、《短歌行》（之一）中的3个文学形象具有共同的审美特征，即“悲而不颓，柔与刚的统一”。首先，3个文学形象的遭遇都是悲剧，弃妇氓妻是婚姻上的悲剧，湘君是恋情上的悲剧，抒情主人公曹操则是事业上的悲剧。其次，面对悲剧，三者皆是不颓丧、不气馁，或反抗、控诉，或追求、进取，性格上均表现出既有柔，又有刚，柔中有刚，刚柔兼济的审美特征。在审美鉴赏教学过程中，3个文学形象的共同审美特征地激起大学生们的强烈积极的反应，由此可以得到启示，民族优秀传统文化确是可供开掘而常新的宝库，从审美角度深化民族优秀传统文化的探讨研究确是有可为有所益的。
The three literary images in The Book of Songs, The Book of Songs, The Nine Songs and the Madame Xiang, and The Short Songs (Part One) have common aesthetic features, namely, “the reunification of compassion, not tenderness and softness.” First of all, the encounter of three literary figures is tragedy. The abandonment of a wicked wife is a marital tragedy. Xiangjun is a love tragedy. The lyric hero Cao Cao is a career tragedy. Secondly, in the face of the tragedy, all three are neither discouraged nor discouraged, nor resist, complain, pursue, enterprising, and have shown their aesthetic qualities of both softness, justness, softness, rigidity and suppleness feature. In the process of aesthetic appreciation teaching, the common aesthetic characteristics of the three literary images arouse the strong and positive reactions of college students, which can lead to enlightenment. The outstanding traditional culture of our nation is indeed a treasure house for digging and often new aesthetics. From an aesthetic point of view, Deepening the study of national excellent traditional culture indeed can be useful.