论文部分内容阅读
对柳琴戏及其音乐遗产的收集工作,在上世纪八九十年代由文化部和中国文联等部门主持编纂的《中国戏曲音乐集成》、《中国戏曲志》中,已对这一剧种进行了普查整理,将其作为音乐文献,起到了静态保存的作用。在2006年5月20日国务院公布的第一批《国家级非物质文化遗产名录的通知》中,柳琴戏又名列其中,现在柳琴戏将作为非物质文化遗产进行保护,需要在进一步收集建档、记录、录音、录像和建立柳琴戏生态区的基础上,进行活态传承。本文仅从现代视野中回顾和展望柳琴戏,对其市场化进行研究。
The collection of Liuqin opera and its musical heritage has been carried out in the “Chinese Opera Music Integration” and “Chinese Opera Records” compiled by the Ministry of Culture and China Federation of Literary and Art Circles in the 1980s and 1990s. Census sorting, as a music document, played a role of static preservation. In May 20th, 2006, the State Council announced the first batch of “State-level Intangible Cultural Heritage List Notification”, which was also included in the Liuqin opera, and now Liuqin opera will be protected as an intangible cultural heritage, and needs to be further collected Archives, records, recordings, videos and the establishment of Liuqin Opera Ecological Zone, based on the live heritage. This article only reviews and looks forward to Liu Qin opera from a modern perspective and studies its marketization.