随着科技的不断进步,人们获得的信息量大幅度提升,与此同时,他们对文化艺术的审美标准和鉴赏水平也有了进一步的提高。在此背景下,话剧作为一门相对传统的舞台艺术形式要从多方面做出适应性变革。本文以肢体表现为研究视角,从控制与意向表现训练、动律与节奏训练、话剧导演训练体系三大方面详细分析话剧演员的肢体训练方式,希望能为广大艺术工作者提供切实可行的技能经验。 With the continuous advancement of science and technology, the amount of information that people have obtained has been greatly improved. At the same time, their aesthetic standards and appreciation of culture and art have also been further improved. In this context, drama as a relatively traditional stage art form should make adaptive changes in many aspects. In this paper, the body performance as the research perspective, from the control and intention of performance training, rhythm and rhythm training, drama director training system in three aspects of detailed analysis of drama actors limb training methods, hoping to provide the majority of art workers with practical skills experience .