本文从苏轼通判杭州的处境和心态出发，以作品本体为立足点，对其通判杭州时的词作做了深入研究，认为其创作遵循了“出新意于法度之中”、“自成一家”的文艺思想，且大多是“感事”而作。他早岁初试词笔时就已摆脱了“词为艳科”的羁绊；其后在朝为官辍笔，是“不为”而非“不能”；通判杭州后，其政治角色发生转换，词作渐多，而格调高雅，感情深沉，以此作为探寻生路的一种精神方式。故，把东坡通判杭州之际的词作定位在“发期”，或谓其词的开拓创新这时仅仅是在萌动中的提法是不合适的。 Based on the situation and mentality of Su Shi’s conviction in Hangzhou, this essay makes an in-depth study of the Ci poetry of Hangzhou when it was convicted of Hangzhou. According to the thought of “creating a new idea in the law” and “self- Literary thinking, and most of them are ”feeling things“ and make. When he started his test pen early in his career, he had got rid of the fetters of ”the word is Yanke“; thereafter, he refused ”not“ rather than ”can not“ at the official stop; his political role was changed after he was sentenced to Hangzhou , More and more words, and elegant style, deep feelings, as a way to explore the way of life. Therefore, it is not appropriate to locate the words of Dongpo in Hangzhou on the occasion of the ”issue" or the pioneering and innovation of words.