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戴维·哈维的《后现代的状况》一书,以其独到的空间生产理论,论述了“骚动的、不稳定和短暂”的后现代美学的缘起,我以为:首先,福柯的话语-权力理论认为话语是受体制支撑的话语,从这个观点出发,我们可以发现,1973年后,获得主导地位的灵活积累体制支持“骚动的、不稳定的和短暂”的美学话语取代福特主义的“稳定”的美学话语成为主导。其次,在福柯的权力理论中,权力规训与惩罚身体,身体会烙下被规训与惩罚的烙印和伤痕,由此观点出发,身体被“灵活积累”体制中的权力规训与惩罚,这种体制具有的短暂性和易变性造成了“骚动、不稳定、短暂”成为身体的烙印和伤痕。
David Harvey’s book The State of Postmodernism, with his unique theory of space production, discusses the origin of postmodern aesthetics of “rioting, instability and briefness.” I think: First of all, Foucault From the viewpoint of power theory, discourse is the discourse supported by the system. From this point of view, we can find that after 1973, the leading system of flexible accumulation of support for “agitated, unstable and brief” aesthetic discourse Aesthetic discourse that replaced the “stable” of Fordism became the dominant one. Second, in Foucault’s theory of power, the power discipline and punish the body, the body will burn the imprints and scars of discipline and punishment, from this point of view, the body is “flexible accumulation ” system of power discipline And punishment, the transient and volatile nature of such a system has caused the “agitation, instability and shortness” of the system to become the branding and scar of the body.