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本文在对豫剧文化分析的基础上,针对演唱中的咬字和吐字的特点做了详细的介绍,举例说明了其在演唱中的重要性。主要从三个方面进行比较研究,包括以“五音”为基础的对河南各地方言在声母(字头)上的区别,“四呼”为依据对河南各地方言在韵母上的区别,还有豫剧演唱中咬、吐字特点从口劲、字头与喷口、字腹与引长、归韵与收声、字调的标准、吐发与感情表现。最后分析了其未来的发展趋势,争取在新时代里,发扬传统文化的同时,创新豫剧演唱的方法,使我国的民族文化永放光芒。
Based on the analysis of opera culture, this article gives a detailed introduction of the characters of articulation and articulation in singing, and illustrates the importance of singing in concert. This article mainly compares and studies three dialects, including the difference between vowels in Henan province based on "five tones , As well as opera singing in the bite, spit character from mouth, head and spout, the word belly and the lead, the rhyme and the closing sound, the tone of the standard, spit and emotional expression. Finally, it analyzes its future development trend, strives to innovate the way of singing in Henan Opera in the new era while carrying forward the traditional culture, so that the national culture in our country will be shining forever.