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还在上小学的时候,我就看过话剧《雷雨》。从那时算起,看曹禺先生的《雷雨》,包括据此改编的其他剧种的《雷雨》,大概有二三十遍了。福建人民艺术剧院此次进京演出的《雷雨》,因为是由陈大联导演采用“叙述体方式”排演的实验剧目,给我留下格外深的印象。陈大联版的《雷雨》,从内容到形式上,都有了较大的改变,令观众耳目一新。不同的人看《雷雨》,会有不同的视角与解读。陈大联在“导演寄语”中说,他的《雷雨》“将是一出分
When I was still in elementary school, I had seen the drama Thunderstorm. From then on, see Mr. Cao Yu’s ”Thunderstorm,“ including the other drama ”Thunderstorms“ adapted from there, about twenty or thirty times. The ”Thunderstorm“ which was performed by the People’s Art Theater of Fujian Province in Beijing was especially impressed by the experimental rehearsal of the director Chen Da Lian’s ”Narrative Style“ rehearsal. Chen Da Lian version of the ”thunderstorm“, from the content to the form, have made a big change, so that the audience refreshing. Different people see ”Thunderstorm“, there will be a different perspective and interpretation. Chen Da Lian said in ”Director’s Message“ that his ”Thunderstorm" will be a point