黄树杭在《戏剧》1997年第2期上撰文,认为:社会剧要以“超越”的手段使社会剧本身含有恰当的内在距离感,或使作品获得不丧失审美距离的可能性,于此同时还使抽象的社会内容得以超越显现而转化为审美内容。具体地说.首先社会剧在人物的刻画和塑造上最重要的一点就是要超越对人 Huang Shu-hang wrote in The Drama, Issue 2, 1997, stating that the social drama should make the social drama itself contain an appropriate sense of inner distance or to obtain the possibility of losing the aesthetic distance from the social drama by means of “transcendence.” At the same time, It also transforms the abstract social content beyond the appearance into the aesthetic content. Specifically, first of all social drama characterization and shaping the most important point is to go beyond the human