第三讲碗碗腔板式与梆子的关系前面已经说过,碗碗腔是属板腔体系,它的板式、唱腔,音乐过门等受梆子腔的影响是很大的。它直接或间接地学习甚至囊取了梆子腔特别是与它近邻的秦腔、蒲剧等的乐汇、乐句或曲调,用以丰富自己。学习外来因素是戏曲自身发展的必要手段。碗碗腔根据自己的条件在学习中加以改变,形成了自己独特的风格。碗碗腔的梆子击法和板腔体戏曲或梆子腔戏曲都不相同,而是综合了梆子腔戏曲“字板”(牙子)和梆子的功能,逐渐形成了带有个性的独特的演奏方法和风格。碗碗腔梆子演奏者,左手击铃铃,右手松握底梆 The third bowl The relationship between bowls and clamshell clapper As we have already said, bowls bowl cavity is a plate cavity system, its plate, singing, music and other doors affected by the sub cavity effect is great. It directly or indirectly learns or even captures the music, music or melody of the Qin cavities, especially the neighborhoods with it, which are used to enrich themselves. Learning external factors is necessary for the development of traditional opera. Bowl cavity according to their own conditions in learning to be changed, forming its own unique style. Bowl bowl cavity clapper attack method and board cavity drama or clapper opera are not the same, but a combination of clapper opera drama “word board” (clapper) and clapper function, and gradually formed with a unique personality playing method And style. Bowl cavity shuttlecock player, left bell ringing bell, right hand loose bottom 梆