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(特写)石板地上,一堆鲜红的血迹。 (推)殷红的血光占满画面。这是影片《秋瑾》精彩的尾声镜头,既简练,又含蓄,令人拍手赞绝!它运用“静止”的画面告诉广大观众:今天的幸福生活,是千千万万个秋瑾烈士用宝贵的生命换来的。我们透过那浸润着大地的碧血,感触到烈士壮志未酬的贵恨。血流淌在中华沃土上,也流淌在人们的心田里。这组尾声镜头静中有动,平中有奇,淡中见浓。我们不妨设想一下另一种尾声镜头:秋瑾被刽子手押到刑场,出现毛骨悚然的斩首镜头,那就难以达到如此理想的艺术效果。因为观众的眼光都会集中在刽子手的刀口上,一切想象的余地被一刀砍断。世界著名的“悬念”大师,美国影片《蝴蝶梦》、《爱德华大夫》导演希区柯克说过:“我从未真正在电影中引用
(Close-up) on the stone, a pile of red blood. (Push) bright red blood full screen. This is the film “Qiu Jin” exciting end of the lens, both concise, but also subtle, it is clapping praise! It uses the “still” screen to tell the general audience: Today’s happy life is thousands of Qiu Jin martyrs In exchange for precious life. Through our blood that soaked the earth, we felt the noble hatred of the martyrs. Blood flows in the Chinese fertile soil, but also flowing in the hearts of people. The end of this group there is static motion of the end of the lens, there are surprising peace, see the thick light. We may wish to imagine another end of the lens: Qiu Jin was executed by the executioner to the execution ground, appear horrifying decapitation lens, it is difficult to achieve such an ideal artistic effect. Because the audience’s eyes will focus on the executioner’s knife, all the imagination left by a knife cut off. Hitchcock, the world famous master of “suspense” and director of American film “Butterfly Dream” and “Doctor Edward” said: "I have never really quoted in the movie