柏拉图的反视觉观念以模仿为基础,强调艺术的非真实性。亚里士多德的视觉中心主义选择摒弃听觉而同视觉结盟。柏拉图和亚里士多德基于视觉观建构其模仿理论,隐藏在视觉争论背后的是图文张力。古希腊关于视觉的讨论为中世纪、文艺复兴和启蒙主义时期的图文关系讨论开了先河。 Plato’s anti-visual perception is based on imitation, emphasizing the non-authenticity of art. Aristotle’s visual-centrism chose to abandon hearing and align with vision. Plato and Aristotle constructed their theory of imitation based on the concept of vision, hidden behind the visual debate is the graphic tension. The discussion of vision in ancient Greece opened the door to discussion of the graphic relations between the Middle Ages, the Renaissance and the Enlightenment.